![]() Sometimes history is made in giant leaps. In recent years Vogue has seen a number of black women grace its cover. In March 2009, First Lady Michelle Obama appeared on the cover of Vogue, only the second first lady to do so. Today, it is no longer shocking to walk into a supermarket and find an African American on a magazine cover. Today the power of the African American pocketbook is reflected on the covers of countless magazines - fashion, entertainment, and political publications which routinely feature black models, entertainers, authors, politicians and more. A University of Georgia economics study projects that figure will rise to $1.2 trillion in 2013 - nearly 9% of the country's estimated purchasing strength. They also recognize that African Americans' buying power was estimated at $913 billion in 2009. Today fashion marketers, like marketers from every other industry, recognize that the face of America is as diverse as its people. Along with every other message sent to African Americans, this underscored the sense that African Americans were, to a great degree, nonexistent - even when it came to buying clothes. Imagine growing up black and female and seeing dress after dress, swimsuit after swimsuit, shoe after shoe - all pictured only on white women. Another African American female celebrity would not grace LIFE's cover again until the Decemissue which featured Pearl Bailey. It would be nearly four years later before another black American, boxer Sugar Ray Robinson, would find his way onto that magazine's front page. Many white Americans were shocked when Dorothy Dandridge became the first African American female to appear on the cover of LIFE in November, 1954. Images of African Americans were scarce even in popular, mainstream American magazines. ![]() ![]() Her family was used to Willette achieving things African Americans rarely experienced at that time - she was UCLA's first black senior class president, for example - but the call from the Times made the family realize that their daughter had made history.įor decades, in high powered fashion magazines like Vogue, Glamour and Mademoiselle, to the Sears and Roebuck and other mail order catalogs, to models walking runways in Paris and New York, the face of fashion had been white. “I guess my sister found out when the New York Times called my parents,” Klausner said in a published interview. Yet, Murphy was unaware of her place in history, until a New York Times' reporter contacted her family. Initially, she viewed the moment as “just another thing I'd done.”įar from it: Willette Murphy's appearance in the magazine was not merely “just another thing.” Her Mademoiselle photograph was groundbreaking. Murphy, now Willette Klausner, was pictured wearing a simple skirt, top and jacket, and walking on the UCLA campus. ![]() Instead, seven years before Kironde's Glamour cover, a coed at the University of California at Los Angeles (UCLA), Willette Murphy, quietly appeared on the pages of the August 1961 issue of another hugely popular magazine, Mademoiselle. So when an African American woman first appeared in one of the fashion industry's premier magazines, it was not on a cover or with a huge, multi-page layout. Like virtually everything else on the path to equal opportunity for African Americans, progress was slow and came in steps, not leaps. Six years later, in August 1974, Beverly Johnson became the first African American woman featured on the cover of Vogue magazine - the industry's supreme publication. So it was a major event when Katiti Kironde appeared in the August 1968 issue of Glamour College, the first African American to appear on a American fashion magazine's cover. While designs have changed over the years, one thing remained the same: from department store catalogs to high-end fashion magazines, the models dressed in the latest fashions were white. The caveat “that was the fashion of the times” can be applied to everything from bustles and corsets to micro-mini skirts and polyester pants suits - fashions at the turn of the twentieth century and styles created during the 1960s-'70s. It will showcase individuals and events in the African American experience, placing these stories in the context of a larger story - our American story.įew things date history as readily as fashion. Lonnie Bunch, museum director, historian, lecturer, and author, is proud to present A Page from Our American Story, a regular on-line series for Museum supporters. Unable to read this email? Click here to view it as a Web page.
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